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You moved to New York City about four years ago. What do you like about living there, and living in the States?
I really love it. America is so vast and young which is kind of the opposite of Britain so it is a nice change. New York is more inspiring than any place I have ever been to so living there is great for a songwriter like me.
Your thesis at University in London was on the social impact of American folk music. Tell us a bit about it. Was it fun to write and research, or hard?
It was interesting, especially seeing how music tied in with social change like the civil rights movement. The hard element was me being on tour at the same time which made it slightly difficult but it was fun researching it.
You put out a book of poetry. How do you differentiate poetry and lyrics?
I don’t really, but when I was writing the book I didn’t want to think about laying words with music. It gave me a fresh head for when I went back to the music. Essentially they are just different projects but they obviously have vast similarities.
When you’re playing just for fun and no one’s around to listen, what sort of songs do you play?
I play a lot of Sam Cooke and try to play along with Wes Montgomery which I fail at. I just tinker around really with whatever I have heard that morning.
Who are your songwriting heroes?
The Beatles, Randy Newman, Bob Dylan, Leonard Cohen, Neil Young, Elliott Smith and Ryan Adams.
What was the first song you ever wrote? Tell us about it.
It was obviously a song that wasn’t particularly great. I think it was about a school teacher or something. It would of been an Elliott smith tip of too.
What’s a song on Wishbone you’re particularly proud of and why?
It’s a song called “Not Tonight, Not Today.” It’s a song that is a little different from my other stuff and a direction I want to pursue. We really went hard at writing specific parts and harmonies and push it into another direction.
What’s a lyric or verse from Wishbone you’re a fan of?
“Guns firing on a ridge down onto a quiet town, wind bellows up smoke to the breakdown in the firing dawn.” It’s from a murder ballad called “Waiting for Dawn”.
Is it easier, or harder to write songs, the more you write?
Both, I think. When you first start writing, everything hits you in the face. When you have been writing for a while, you have to search a bit deeper but yet you have more experience and are better at it. Saying that, I think the more you write the better you become.
Are there any words you love or hate?
I generally really love all words. I hate the word “snog” and I particularly love the word “macabre.”
The most annoying thing about songwriting is…
When you are so close to finishing a song yet you have lost all enthusiasm and all the intensity you need to finish it. You just have to leave it alone and do something else until your fresh again.
What’s a song of yours that’s really touched people?
That’s tough. It’s hard to talk about your own songs. I would probably say a song called “Two Years Old”. It’s about being a soldier at war. Even though I have no idea what it’s like to be a soldier, people seem to relate to it. It’s really nice when that happens.
If you could co-write with anyone living or dead, who would it be?
Probably John Lennon.
Who do you consider an underrated songwriter?
I think most people are underrated but I would probably go with The Mother Hips. I am so in love with their songs. Their songs always surprise you and are heavy but playful and melodic.
What do you consider to be the perfect song (written by somebody else), and why?
I think that “Feels Like Home” by Randy Newman is pretty perfect.
Bobby’s last stop on his Europe tour is in London tonight.
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